Installation 装置艺术2019 Xiyong, Shenzhen, China

Tears from Sky天空的眼泪

Status 状态: Exhibition (completed)展览（已落成）
Date 时间: December 20192019.12
Location 地点: Xiyong, Dapeng New District, Shenzhen, China中国深圳大鹏新区溪涌
Exhibition 展览: 2019 Bi-City Biennale of Urbanism\Architecture (UABB), Dapeng Xiyong sub-venue2019深港城市\建筑双城双年展大鹏溪涌分展场
Curators 策展人: Han Jing, Handshake 302韩晶、握手302
Size 尺寸: 5 × 0.7 × 0.8 m
Design 设计: Atelier Alter Architects时境建筑
Artists 主创: Yingfan Zhang, Xiaojun Bu张继元、卜骁骏
Manufacture & installation 制造、安装: Fengzhiyu Sculpture风之语雕塑
Photography 摄影: Atelier Alter Architects时境建筑

As the subject of many surrealist paintings, sky, sea and shore lie between abstraction and the concrete: concrete in their materiality, abstract in the purity of their space. Created for the Dapeng Xiyong sub-venue of the 2019 Shenzhen–Hong Kong Bi-City Biennale of Urbanism\Architecture, this installation is a spatial experiment on the paradox of “there and shore”.

“There” and “shore” exist in two parallel spaces, each keeping watch over the other – a pair destined to stay apart, like many ordinary moments in life: leaving in order to return, letting go in order to receive. The work does not define anyone’s future; it simply sets up a field in which visitors reflect on their past, present and future within an inverted, abstract space-time – a unique space that pushes back against busy everyday life and the sameness of a thousand cities.

A five-metre-long concave mirror lies on the beach at the line of the horizon. Concave mirrors invert the image: as people approach, the order of sky, shore and sea flips, and the sky is brought close at hand. Under endless reflection and refraction, architecture dissolves into the landscape, and as visitors move around the elongated mirror they seem to sink into a boundless sky.

作为众多超现实主义画作的主题，天、海、岸介于抽象与具象之间：其具象性在于物质本身，其抽象性在于物质空间的纯粹。作品为2019深港城市\建筑双城双年展大鹏溪涌分展场而作，是一场探讨“彼与岸”时空悖论的空间实验。

“彼与岸”存在于两个平行的空间，彼此守望却注定分离，有如现实中的许多平凡瞬间：离去为了归来，舍弃为了得到。装置不定义个体的未来，只设定一个场域，让观者在倒置、抽象的时空中反思自己的过去、现在与未来——一个对抗忙碌日常与千城一面、与心灵对话的空间。

一条长5米的凹面镜置于沙滩的地平线处。凹面镜能将影像倒置，人在靠近作品的过程中，天-岸-海的次序随之颠倒，天空被呈现在近在咫尺的镜像里。在不断的反射与折射下，建筑消于无形；当人在拉长的凹面镜周围活动，仿佛陷入了无尽的天空。